About Paul Blart: Mall Cop 2

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Comment For Paul Blart: Mall Cop 2 Estrenos De Cine

Name : Gary Goldstein / Alias : Los Angeles Times
Although there have been worse sequels - and worse overall movies - make no mistake, that's hardly a recommendation.

Name : Tom Huddleston / Alias : Time Out
What would a film be like if every single person involved made as little effort as humanly possible?

Name : Christy Lemire / Alias : RogerEbert.com
Truly, there is not a single redeeming moment in director Andy Fickman's film. A general flatness and lethargy permeates these reheated proceedings.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
Nobody was expecting much from Paul Blart: Mall Cop 2, but did it have to be this unimaginative and lifeless?

Name : Kevin P. Sullivan / Alias : Entertainment Weekly
Far from the worst movie that you'll ever see, but you might leave wondering why you, the people on the screen, or anyone else in the theater even bothered.

Name : Andy Webster / Alias : New York Times
You won't find much offensive in Kevin James's slick, innocuous vehicle Paul Blart: Mall Cop 2. You won't find much prompting an emotional reaction in general, so familiar are the jokes and situations.

Name : Peter Howell / Alias : Toronto Star
Caddyshack 2. Exorcist 2. Speed 2. To this small sample of the ever-expanding list of wretched movie sequels, add Paul Blart: Mall Cop 2, a gobsmackingly witless excuse for entertainment.

Name : Sara Stewart / Alias : New York Post
This wisp of a plot is just an excuse for James to do his one trick over and over: Bluster, then screw up humiliatingly. Is it never funny? No, it's not never funny. It's just not funny nearly often enough.

Name : Rafer Guzman / Alias : Newsday
Paul Blart: Mall Cop 2 may be forgettable, but it's difficult to truly dislike.

Name : Jesse Hassenger / Alias : AV Club
Maybe Paul Blart isn't spoofing John McClane after all; maybe these movies are actually too stupid to realize what they're imitating.

Name : Justin Chang / Alias : Variety
Kevin James keeps falling on his face and colliding with heavy objects, this time in Vegas, in this tacky, numbingly inane sequel.

Name : Frank Scheck / Alias : Hollywood Reporter
James tries hard, very hard, to inject the proceedings with slapstick humor, propelling his large body through endless physical contortions in a fruitless effort for laughs.

Name : Joe Neumaier / Alias : New York Daily News
The cinematic equivalent of biting into an old brown banana.

Name : Alonso Duralde / Alias : TheWrap
A movie whose chuckles (six, I counted) are outnumbered by helicopter shots of the Wynn resort in Las Vegas.

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About Danny Collins

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1. Click link/button before this section (WATCH/DOWNLOAD button)

2. You will be redirected to a page, then you click the watch / download. Then will open a popup for registration, click register.

3. It will show the registration page, fill in all the data correctly. (Quiet, here Tricks will bring you 100% FREE)

4. Click register

5. Congratulations, you've got access to watch and download all the movies available on the server (including Danny Collins movie).

This is a legal trick to watch a movie from Netflix for FREE. Remember, this is just to give you access to FREE for 1 week. For the next week you can register again in order to enter again.

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Comment For Danny Collins Filems Online Voir Unlimited

Name : Steven Rea / Alias : Philadelphia Inquirer
Comedy, pathos, and some schmaltzy couplets about the changing seasons follow forthwith.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
The lesson of this likable little movie is that it's never too late to reclaim your integrity.

Name : John Anderson / Alias : Newsday
Pacino's exuberance rescues Dan Fogelman's directing debut from the schematic snares in Fogelman's script.

Name : Lou Lumenick / Alias : New York Post
"Danny Collins'' is certainly watchable, but don't go expecting much in the way of surprises.

Name : Peter Rainer / Alias : Christian Science Monitor
The movie becomes, perhaps inadvertently, a celebration of selling out.

Name : Richard Roeper / Alias : Chicago Sun-Times
Legendary as Al Pacino's skills are, he wouldn't be the first actor I'd cast to play a 70ish pop star who still fills mid-sized arenas some 40 years after he last charted a hit single. Yet Al Pacino sells the heck out of his performance as Danny Collins.

Name : Linda Barnard / Alias : Toronto Star
It's never dull to watch pros like Pacino, Bening, Plummer, Garner and Cannavale interact - this is dream casting - and the film makes the most of that, along with a pleasingly comprehensive Lennon soundtrack.

Name : Lisa Kennedy / Alias : Denver Post
What Fogelman doesn't quite achieve as screenwriter at the start of the film he makes up for in his directorial debut. He supports wonderfully the affable allure of his attuned cast.

Name : Joe Neumaier / Alias : New York Daily News
This uneven but ultimately sweet comedy-drama takes full advantage of Pacino's larger-than-life persona (think "Glengarry Glen Ross," "Donnie Brasco," "The Insider") and his ability to add in lovely grace notes.

Name : Joe Morgenstern / Alias : Wall Street Journal
Before the action comes a cheerfully coy announcement: "The following is based on a kind of true story a little bit." In fact, the story is not only true, but proves to be a kind of swell idea for a fiction film.

Name : Liam Lacey / Alias : Globe and Mail
One of the things that partly excuses the movie's mush is that it's a kind of musical.

Name : Moira MacDonald / Alias : Seattle Times
Like its hero, the movie is flawed, but hard to resist.

Name : Joe McGovern / Alias : Entertainment Weekly
A cast of old pros (Christopher Plummer, Annette Bening, Bobby Cannavale, Jennifer Garner) and a touching final scene elevate the material just enough to redeem it.

Name : Colin Covert / Alias : Minneapolis Star Tribune
How bad could a movie be that features talent as serious as Al Pacino, Annette Bening, Christopher Plummer, Bobby Cannavale and Jennifer Garner? This bad, alas.

Name : Ignatiy Vishnevetsky / Alias : AV Club
The directorial debut of Dan Fogelman, writer of Crazy, Stupid, Love and Last Vegas, the movie combines the compulsive sub-plotting of the former with the retirement-age asides of the latter.

Name : Peter Travers / Alias : Rolling Stone
Danny Collins has no intention of breaking new ground. But Pacino and a top cast make it mean something.

Name : Rex Reed / Alias : New York Observer
Danny Collins is nothing to write home about, but it kept me entertained without too much guilt, and I didn't wince.

Name : Ella Taylor / Alias : NPR
Al Pacino as a jaded, aging rocker re-juiced by a road trip to settle accounts with himself and his long-lost family? By all means roll your eyes - the star has one brow goofily raised himself - but don't give up on Danny Collins.

Name : Alonso Duralde / Alias : TheWrap
Writer-director Dan Fogelman seems as torn as Danny is between his artistic impulses and his hard-wired attraction to bland, audience-friendly material.

Name : Stephen Holden / Alias : New York Times
[A] shameless piece of boomer bait, which peddles the highly questionable notion that it's never too late to get back to where you once belonged.

Name : Mick LaSalle / Alias : San Francisco Chronicle
There's a nice fluidity and freedom to writer-director Dan Fogelman's storytelling, so things never become predictable.

Name : Stephanie Merry / Alias : Washington Post
"Danny Collins," like its central character, has a good heart, and sometimes that's enough.

Name : Tom Long / Alias : Detroit News
Danny Collins is the cinematic equivalent of a well-sung easy rock tune, enjoyably light and bouncy, with some darker notes hidden within the chords.

Name : Bill Goodykoontz / Alias : Arizona Republic
You can guess where things are leading, but only to a point. Fogelman tosses in some mild surprises along the way, some more effective than others.

Name : Scott Foundas / Alias : Variety
A familiar late-in-life redemption narrative, made surprisingly palatable by Pacino's winning comic bravado, a superb supporting cast, and currents of real feeling that cut through the expected bromides about the emptiness of fortune and fame.

Name : Joshua Rothkopf / Alias : Time Out
You think you know where this is going, but it's a pleasure to see Dan Fogelman slow down the flow for his two erstwhile Ricky Romas, kicking around life's harsh turns with tenderness.

Name : Claudia Puig / Alias : USA Today
Though occasionally contrived, in its more low-key, honest moments, Danny Collins rings out with emotional resonance.

Name : Wesley Morris / Alias : Grantland
There's a kind of modest American comedy that's so keenly done that you don't bother resisting. All the details feel exactly right for that particular story and those characters. It just works. Right away, you can tell that Danny Collins is working.

Name : Ty Burr / Alias : Boston Globe
So shameless is this movie's urge to batter you into laughter and tears that you give in, exhausted and maybe even a little grateful.

Name : Amy Nicholson / Alias : L.A. Weekly
A redemption movie in the skeptical key of Jerry Maguire with dozens of small, perfect moments

Name : J. R. Jones / Alias : Chicago Reader
I can imagine a lot of good movies developing from this premise, but as fictionalized by screenwriter Dan Fogelman, it becomes yet another soggy tale of father-son healing.

Name : Michael Phillips / Alias : Chicago Tribune
There's a delayed-secret hitch in the narrative that hijacks the movie, for better or worse. You don't have to believe any of it to enjoy a lot of it, however.

Name : Todd McCarthy / Alias : Hollywood Reporter
The top-notch cast makes this Bleecker Street release almost tolerable, but the spectacle of a dissolute hedonist suddenly acquiring a heart and a conscience late in life is shamelessly, and shamefully, contrived in its emotional trajectory.

Name : Lindsey Bahr / Alias : Associated Press
A redemption story doesn't always need to show the blood. Danny Collins gets the point across without pretention. Its closing scene, alone, is worth the price of admission.

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