About Mechanic: Resurrection

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Comment For Mechanic: Resurrection Cineme

Name : Owen Gleiberman / Alias : Entertainment Weekly
The Mechanic is ham-fisted pulp, like Robert Rodriguez's Machete taking itself seriously.

Name : Una LaMarche / Alias : New York Observer
The Mechanic is like a Beretta loaded with blanks - quick and brutal but ultimately empty.

Name : J. R. Jones / Alias : Chicago Reader
While that pop mythology was still relatively fresh back in Bronson's day, it's so played out at this point that not even the enjoyably no-nonsense Statham can pump any life into it.

Name : James Berardinelli / Alias : ReelViews
The Mechanic is adequate light entertainment for those who enjoy thrillers, but it is uneven and the underwhelming ending will disappoint those who enjoyed the delicious irony served up by its predecessor.

Name : Brian Lowry / Alias : Variety
It proves middling, and occasionally muddled, on almost every level.

Name : John Hartl / Alias : Seattle Times
West's slick, fairly faithful new remake gives partial screenplay credit to Lewis John Carlino, who wrote the original "Mechanic." But the picture isn't likely to do for Jason Statham what the 1972 film did for Bronson.

Name : John Anderson / Alias : Washington Post
"The Mechanic," 2011 edition, is a striking-looking work, combining an arty inkiness with a retro-graininess that more or less screams 1970s, albeit without the cliches and flatness. If only you liked the people in the picture.

Name : Bill Goodykoontz / Alias : Arizona Republic
Statham is, in his understated way, a satisfying action star, stoically going about his business. Foster is just a flat-out good actor, as anyone who saw his work in "The Messenger" or "3:10 to Yuma" can attest.

Name : Rene Rodriguez / Alias : Miami Herald
Haven't we already had enough movies about solitary, enigmatic hit men? Is there anything possibly left to do with the genre that's new?

Name : Rafer Guzman / Alias : Newsday
Clinging to false heroism and terrified of anything too dark, The Mechanic is a tough-guy movie for wimps.

Name : Dana Stevens / Alias : Slate
The Arthur/Steve relationship at the movie's heart is what lifts The Mechanic above the common run of kablammo! action thrillers.

Name : Liam Lacey / Alias : Globe and Mail
There just isn't enough consistent energy to light up the glum, generic plot or enliven the one-dimensional performances.

Name : Roger Ebert / Alias : Chicago Sun-Times
"The Mechanic" tells a story as old as "Hamlet" in a style as new as unbaked bread. What's the point?

Name : Leah Rozen / Alias : TheWrap
Statham, he of the chiseled physique and sexily receding hairline, holds his own here, doing what he has to in scenes and no more - which is perfect for a movie like this.

Name : Glenn Kenny / Alias : MSN Movies
The Mechanic is my kind of action movie: nasty, brutish, brisk and ass-kicking.

Name : Josh Modell / Alias : AV Club
Statham and Foster play off each other nicely, and director Simon West strikes a playful balance between carnage and conviviality, gore and gregariousness.

Name : Keith Uhlich / Alias : Time Out
Depth of character is traded for bloody broad strokes.

Name : Greg Quill / Alias : Toronto Star
Standard Statham stuff.

Name : Derek Adams / Alias : Time Out
With its unrelenting violence and obligatory bonking sessions, this is one for avid 'Stath' fans only.

Name : Michael Phillips / Alias : Chicago Tribune
Let's not denigrate the term "action film" by applying it to the remake signed by director Simon West. This is a violence film, not an action film.

Name : Brian Miller / Alias : L.A. Weekly
The Company Men with guns, but no families or pensions. All they have is their job, and retirement literally equals death.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
Even by the sloppy, soulless standards of hit man movies, "The Mechanic" is a mess.

Name : Peter Travers / Alias : Rolling Stone
The result is just good enough to pass as an action flick you watch with the forgiving gaze that comes from too many beers and too little sleep.

Name : Christy Lemire / Alias : Associated Press
Statham, the British star of the Transporter and Crank films and an old favorite of Guy Ritchie, has a quietly fierce physicality, a stylish masculinity that makes him appealing to both men and women.

Name : Todd McCarthy / Alias : Hollywood Reporter
Frantic, numbing redo of the Charles Bronson original for hardcore Statham and action fans only.

Name : Mary F. Pols / Alias : TIME Magazine
The interplay between dry Arthur and crazy, caustic Steve is what makes the movie fun.

Name : Mick LaSalle / Alias : San Francisco Chronicle
To the extent it makes sense, it's a collection of time-honored cliches, and to the extent that it's original, "The Mechanic" is insane, bordering on gloriously insane.

Name : Tom Long / Alias : Detroit News
Jason Statham needs to get a tune-up, switch gears and hit the gas.

Name : Bruce Diones / Alias : New Yorker
Statham is a model of control; he's steely and graceful in his action scenes, and his interplay with the wiry Foster delivers the goods.

Name : Steven Rea / Alias : Philadelphia Inquirer
It's about gunplay and pricey sports cars bursting into flames while three or four cameras capture the moment. In slo-mo. Cue the cool music.

Name : Scott Bowles / Alias : USA Today
The first legitimate action film of 2011.

Name : Manohla Dargis / Alias : New York Times
A sputtering remake in need of a more powerful recharge.

Name : Joe Morgenstern / Alias : Wall Street Journal
Mr. Statham, the specialist in English tough guys who was so affecting in "The Bank Job," has more to offer than "The Mechanic" has the grace to receive.

Name : Tom Russo / Alias : Boston Globe
An intermittently arresting, mostly standard action entry that deals death noisily more than cleverly - a lot like the original.

Name : Lou Lumenick / Alias : New York Post
Considerably more fun than the rather lethargic original.

Name : Mark Jenkins / Alias : NPR
Betrayal, sympathy and regret are central to the story, but there's hardly any room for such feelings amid the clockwork carnage.

Name : Stephen Whitty / Alias : Newark Star-Ledger
The new stunts are explosive, over-the-top and a sign of the times - action fans aren't happy these days, it seems, unless at least one scene involves a jackknifing 18-wheeler and a fireball.

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About Gold

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4. Click register

5. Congratulations, you've got access to watch and download all the movies available on the server (including Gold movie).

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Screen Of Gold

Comment For Gold Full Movie Me Titra Shqip

Name : John Anderson / Alias : Newsday
Goldmember is funny enough to justify the embarrassment of bringing a barf bag to the moviehouse.

Name : Liam Lacey / Alias : Globe and Mail
Even if the gag-to-wince ratio isn't high, there are enough punchlines thrown here to make a sphinx smirk.

Name : Peter Travers / Alias : Rolling Stone
All praise to Michael Caine, who plays Austin's studly spy daddy, Nigel, and to Beyonce Knowles, who turns on Pam Grier sass as agent Foxxy Cleopatra. But hit-and-miss skits trying to pass as a coherent time-traveling plot reduce them to bystanders.

Name : Tom Maurstad / Alias : Dallas Morning News
Watching Austin Powers in Goldmember is like binging on cotton candy. It's sweet and fluffy at the time, but it may leave you feeling a little sticky and unsatisfied.

Name : Eleanor Ringel Gillespie / Alias : Atlanta Journal-Constitution
The reason this picture works better than its predecessors is that Myers is no longer simply spoofing the mini-mod-madness of '60s spy movies.

Name : Glenn Lovell / Alias : San Jose Mercury News
A 14-carat stinker, delivered with little sense of fun and less inspiration.

Name : Michael Rechtshaffen / Alias : Los Angeles Times
At its most absorbing, Lasseter's story plays like an Aussie Treasure of the Sierra Madre, in which the main subject is a bit of a cypher whose true nature proves to be as difficult to pinpoint as that elusive gold.

Name : Mike Clark / Alias : USA Today
The Powers team has fashioned a comedy with more laughs than many, no question. But this time there's some mold on the gold.

Name : Connie Ogle / Alias : Miami Herald
The Austin Powers films have never, ever been anything approaching high-brow, but the uneven Goldmember seems to take a big step toward the extremely juvenile, with more scatological and fewer sex jokes.

Name : Neil Young / Alias : Hollywood Reporter
Sometimes all a documentary needs is one strong, charismatic personality to keep things watchable: Garnet's Gold boasts two in the form of the middle-aged eponymous protagonist and his feisty octogenarian mother.

Name : Bill Muller / Alias : Arizona Republic
The result plays like a series of skits, but the gags are so funny that it works anyway.

Name : David Edelstein / Alias : Slate
It's an ode to indecent joy.

Name : Kenneth Turan / Alias : Los Angeles Times
Myers' idea of a movie turns out to be similar to Ed Sullivan's idea for a variety show: Toss in a little bit of everything and hope for the best.

Name : Jeff Strickler / Alias : Minneapolis Star Tribune
The third installment in the series of super-spy spoofs, it's handcuffed by the ever-increasing load of baggage it carries.

Name : Roger Moore / Alias : Orlando Sentinel
The whole enterprise collapses from exhaustion about two-thirds of the way through. Still, a staggering number of the gags that Myers and Co. fling against the screen stick.

Name : Stephen Hunter / Alias : Washington Post
The level of inventiveness remains high.

Name : James Berardinelli / Alias : ReelViews
Qualities that were once amusing are becoming irritating.

Name : Moira MacDonald / Alias : Seattle Times
Not much else in this third Austin Powers sequel is new or memorable.

Name : Terry Lawson / Alias : Detroit Free Press
The '60s satire that made the first movie such a hip trip is now just so much polka-dotted wallpaper; the jokes are now almost exclusively confined to orifices and excretions.

Name : Charles Taylor / Alias : Salon.com
Structurally and formally, Goldmember is a mess. What saves it is that Myers possesses in spades the thing that's crucial for comedy: an absolute lack of embarrassment and the willingness to go with his gut instinct.

Name : Carrie Rickey / Alias : Philadelphia Inquirer
Despite the firecracker energy of Beyonce Knowles, on hand as Foxxy Cleopatra, a tribute to bootylicious blaxploitation babe Pam Grier, the film is almost a complete fizzle.

Name : Dennis Lim / Alias : Village Voice
Star/writer Mike Myers and director Jay Roach struggle visibly with exhausted possibilities and diminishing returns.

Name : Mark Olsen / Alias : L.A. Weekly
Myers' puppy-dog tenacity to that cast-iron tenet of low comedy, disarming and even somewhat charming in the first film, now has an air of careerist desperation about it.

Name : Ty Burr / Alias : Boston Globe
The most consistently funny of the Austin Powers films.

Name : Steven Rosen / Alias : Denver Post
With so many impersonations to keep track off, director Jay Roach winds up moving between Myers and Myers so often that the editing feels like a crude cut-and-paste job.

Name : Geoff Pevere / Alias : Toronto Star
This is a movie that's trying in too many senses of the word.

Name : Eric Harrison / Alias : Houston Chronicle
Austin Powers in Goldmember is a cinematic car wreck, a catastrophic collision of tastelessness and gall that nevertheless will leave fans clamoring for another ride.

Name : Todd McCarthy / Alias : Variety
The laughs are here, to be sure, although even some of the best of them are retreads and the Swinging '60s recycling act is now feeling a bit past its zeitgeist prime.

Name : Jonathan Foreman / Alias : New York Post
Uneven, self-conscious but often hilarious spoof.

Name : Stephen Holden / Alias : New York Times
When a movie is as down-and-out funny as Austin Powers in Goldmember, it's easy to overlook the missed opportunities and fizzled jokes littering the barrage of hilarity.

Name : Guy Lodge / Alias : Variety
An impressively disciplined, occasionally transporting debut feature from globe-trotting American helmer Brian Perkins.

Name : Desson Thomson / Alias : Washington Post
One-ups the Austin Powers sequel that came before it.

Name : Richard Roeper / Alias : Ebert & Roeper
I think this is the funniest of the three movies and I liked the first two.

Name : Ken Jaworowski / Alias : New York Times
Approaching the story for the traditional trappings - narrative, action, even logic - is to ensure disappointment. But look to it for beauty and lyricism, and you may find a deeper satisfaction.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Goldmember delivers.

Name : Clarence Tsui / Alias : Hollywood Reporter
Golden Kingdom's theological backbone is fleshed out by a warm and endearing portrayal of its characters' childhood innocence.

Name : Susan Stark / Alias : Detroit News
Austin and Dr. Evil remain the most inventively detailed characters played by the franchise's star, guiding light and principal beneficiary. He's cheerful and energetic as ever.

Name : Paul Clinton (CNN.com) / Alias : CNN.com
It's amusing, but you may find that you're over it.

Name : Andrew Sarris / Alias : New York Observer
It's all amateur-night vaudeville and movies within movies that degenerate into total inanity.

Name : Roger Ebert / Alias : Chicago Sun-Times
The movie is a little tired; maybe the original inspiration has run its course.

Name : Craig D. Lindsey / Alias : Village Voice
The movie meanders (Perkins seems as distractingly lost as Frost), but it can stir real sympathy.

Name : Michael Wilmington / Alias : Chicago Tribune
A shapeless, derivative-but-funny show.

Name : Lisa Schwarzbaum / Alias : Entertainment Weekly
Mike Myers and Austin Powers may stick to their old Beatle boots, but they've both come a long way, luvvy.

Name : Kirk Honeycutt / Alias : Hollywood Reporter
The misses outweigh the hits by a wide margin.

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