Name : Neil Genzlinger / Alias : New York Times
A horror comedy that proves that with the right actors you can make an amusing movie even if a lot of your ideas are borrowed.

Name : Tom Keogh / Alias : Seattle Times
Clever, creative and emotionally satisfying, "The Final Girls" is a horror-comedy and popcorn movie that keeps its original premise fresh all the way to a delightful, surprise ending.

Name : Jesse Hassenger / Alias : AV Club
The mother-daughter material keeps the movie watchable, even as the filmmakers seem to consider its weaknesses the fun parts.

Name : Joe Neumaier / Alias : New York Daily News
Breslin, whose recent resume hasn't lived up to her Oscar nomination for "Little Miss Sunshine," needs to find something worthy of her talents. An Oscar nominee shouldn't even watch "Final Girl," much less star in it.

Name : Dennis Harvey / Alias : Variety
Modern teens find themselves trapped in a 1980s slasher movie in this amusingly meta thriller.

Name : Justin Chang / Alias : Variety
This patchy, underwritten thriller could almost pass for a critique of any number of genre forebears in which the mere presence of a hot, ass-kicking female avenger is meant to seem subversive.

Name : Michael O'Sullivan / Alias : Washington Post
Above all else, "The Final Girls" is broad and affectionate in its mockery, making fun of the frequent association between sex and murder in movies of this ilk and other easy targets.

Name : Andrew Lapin / Alias : NPR
The gender commentary is still on point, and The Final Girls successfully disembowels its target trope. But it works better as film criticism than it does as a film.

Name : Liz Braun / Alias : Toronto Sun
The Final Girls offers a lovely twist on the horror genre and some good laughs for movie fans of every stripe. Nice to see the more ludicrous elements of retro slasher fare get the mockery they deserve.

Name : Justin Lowe / Alias : Hollywood Reporter
Genre enthusiasts will get a kick out of Todd Strauss-Schulson's creative homage to classic slasher movies, which respects familiar horror conventions while introducing a sly contemporary perspective.

Name : Sherilyn Connelly / Alias : Village Voice
The Final Girls plays with the tropes of the slasher genre as much as its PG-13 rating will allow, and the final showdown is a thing of beauty, but it never attempts to be scary or menacing.

Name : Chris Nashawaty / Alias : Entertainment Weekly
As horror comedies go, this one sadly winds up somewhere between Scary Movie 4 and 5.

Name : Barry Hertz / Alias : Globe and Mail
The Final Girls is all smiles and winks, but lacks the blood to make its horror satire pulse.

Name : Bill Goodykoontz / Alias : Arizona Republic
Todd Strauss-Schulson's meta send-up of '80s sex-equals-death slasher movies keeps its goofy good humor throughout, and tosses in a little almost-genuine feeling into the mix for good measure.

Name : Michael Rechtshaffen / Alias : Los Angeles Times
A playful deconstruction of the slasher film that ultimately packs a surprisingly affecting punch.

Name : Kyle Anderson / Alias : Entertainment Weekly
The Perfect Guy escalates quite nicely, leading to a satisfyingly white-knuckled finale.

Name : Jesse Hassenger / Alias : AV Club
Scene after scene exists only to deliver facts for later: Carter's family background; the location of Leah's spare housekey; the presence of a mildly nosy neighbor and a clumsily introduced pet cat.

Name : Neil Genzlinger / Alias : New York Times
Next to child-in-jeopardy thrillers, women-in-jeopardy thrillers are about as easy to construct as films get, and this one makes no effort to break any molds. Too bad.

Name : Michael Rechtshaffen / Alias : Los Angeles Times
A glossy, cliche-laden revenge thriller about the perils of meeting Mr. Too Good To Be True.

Name : Nick Schager / Alias : Variety
David M. Rosenthal's Internet-age thriller falls head over heels for cheesy cliches.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
Nobody goes to these Fatal Attraction retreads anymore for serious drama. But this one is a movie torn - too grim and self-important to go truly nuts, but too silly and slipshod to work on a more somber level.

Name : Christy Lemire / Alias : RogerEbert.com
Decent trash that could have been delicious trash with a little more daring.

Name : Eddie Goldberger / Alias : New York Daily News
It's a lazy, by-the-numbers bore. It almost jumps through hoops to not be different in any way. In fact, you could sleep through the movie and still recite what happened.

Name : James Rocchi / Alias : TheWrap
"The Perfect Guy" - which was, it must be pointed out, deliberately not screened for critics prior to release - is a perfect example of how lame, lazy material strands good actors, resulting in a movie that looks great and feels less so.

Name : Ben Sachs / Alias : Chicago Reader
A reasonably engaging thriller with some topical overtones.

Name : Wesley Morris / Alias : Grantland
I love Sanaa Lathan, except when she has to play dumb. And, boy, does The Perfect Guy need her to be dumb.

Name : Frank Scheck / Alias : Hollywood Reporter
You've seen it a thousand times before.

Name : Ben Sachs / Alias : Chicago Reader
Though Tillman doesn't quite elevate the maudlin material into serious drama, the result is uncommonly sensitive.

Name : Peter Keough / Alias : Boston Globe
It tries to bridge the gap between pop culture and cultural elitism, between high art and the common commodity that everyone else buys tickets to see. A worthy goal, but it results in a movie that has none of the virtues of either.

Name : Jesse Hassenger / Alias : AV Club
Qualifies as one of the best Sparks films by virtue of not including any love-ghosts or destructive misinformation about how Alzheimer's works.

Name : Rafer Guzman / Alias : Newsday
The young Eastwood is better than you might expect, though it's Chaplin who shines in this Nicholas Sparks romance.

Name : Scott Foundas / Alias : Variety
Appealing performances by a trio of second- and third-generation Hollywood kids keep this three-hankie twaddle more bearable than it deserves, but "Ride" will surely go the longest with audiences for whom this is not their first Sparks rodeo.

Name : Todd McCarthy / Alias : Hollywood Reporter
Just as the basic plot points are hard to swallow, even the most rudimentary aspects of the characters' interactions feel forced, artificial and unspontaneous.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
Look, it's easy to laugh at this stuff - that's part of the game, in fact. To buy into these movies, you have to buy into the silliness. But The Longest Ride, for all its ridiculousness, comes by its emotions honestly.

Name : A.O. Scott / Alias : New York Times
Fairly tedious, despite the charm and sincerity of the actors.

Name : Wesley Morris / Alias : Grantland
The Longest Ride has as much bull as the 10 previous Sparks adaptations. This is one of the few you can ride for longer than eight seconds.

Name : Claudia Puig / Alias : USA Today
The Longest Ride is sentimental, forced and silly, but it's sure to hit the bull's-eye with its intended audience.

Name : Christy Lemire / Alias : ChristyLemire.com
The Longest Ride is pretty darn tolerable - and sometimes even enjoyable - not just for fans but also for regular people who are, you know, cynical.

Name : Amy Nicholson / Alias : L.A. Weekly
It's easy to tease a Nicholas Sparks movie. It's harder to admit that he's good at his niche - and has a string of 10 films, nearly all profitable, to prove it

Name : James Berardinelli / Alias : ReelViews
As a romance, a drama, or even a sports movie, The Longest Ride never reaches a satisfying destination.

Name : Joe Neumaier / Alias : New York Daily News
If this is your particular poison, it won't kill you. But anyone averse to Sparks' sappy touch may get sick from all the bull.

Name : Joe Morgenstern / Alias : Wall Street Journal
Conforms to a timeworn, and shopworn, Sparks formula of troubled protagonists receiving wisdom, or inspiration, or both, from unexpected sources.

Name : Richard Roeper / Alias : Chicago Sun-Times
"The Longest Ride" treats us to a twist that's so ridiculous I think we're almost supposed to laugh. It's not quite on the "Are you KIDDING ME!?" level of awfulness as the big reveal in "Safe Haven," but it's close. It's close.

Name : Alonso Duralde / Alias : TheWrap
The real love story is between Eastwood and David Tattersall's camera, which spends so much time leering over the actor's cheekbones, abs and other attributes that you begin to wonder if someone's going to call Human Resources.

Name : Colin Covert / Alias : Minneapolis Star Tribune
This is spoon-fed entertainment, but it tastes pretty good.

Name : Stephanie Merry / Alias : Washington Post
People don't go to Sparks movies for subtlety; they go to warm their hearts by bearing witness to true love. Of course, that requires a story that rings true. In "The Longest Ride," authenticity is in short supply.

Name : Connie Ogle / Alias : Miami Herald
Merely adding an older generation of lovers to a love story does not make your romance one for the ages.

Name : Liam Lacey / Alias : Globe and Mail
Eventful, polished, and knuckle-bitingly dull, the 10th film adapted from a novel by Nicholas Sparks, combines fate, bull riding and some powerful Hollywood bloodlines among its young cast.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Everything in the movie is suffused by a vision of life that is resoundingly and evidently false, but as this vision is not repulsive, but is intended to reassure, the lies don't produce anger or frustration. No, they bring on the laughs.

Name : Soren Anderson / Alias : Seattle Times
Carolina settings, star-crossed lovers, elements of tragedy: Sparks' formula works. Get out your handkerchiefs, and rest assured that there will be uplift at the end.

Name : Lou Lumenick / Alias : New York Post
Can the ailing Ira help the young lovers work things out in his limited time left on earth - or even afterward? Let's just say Sparks works up to an ending that's as shamelessly preposterous as it is predictable.

Name : Barbara VanDenburgh / Alias : Arizona Republic
It's exactly what you'd expect, except executed with more-than-typical competence with the help of a few excellent actors and some gorgeously photographed rodeo scenes that capture the drama and thrill of bull riding.

Name : Stephen Whitty / Alias : Newark Star-Ledger
The movie has nowhere to go and spends more than two hours getting there.

Name : Sandy Cohen / Alias : Associated Press
The film is likely to satisfy Sparks fans. And it brings something new to the romance genre: bull riding.

Name : Michael Phillips / Alias : Chicago Tribune
Even when Eastwood and Robertson, pleasant enough company, threaten to float off the screen, "The Longest Ride" glides along and delivers its reheated comfort food by the ton.

Name : Betsy Sharkey / Alias : Los Angeles Times
The two-plus hours is mostly marked by an emptiness born of scene after scene designed to blatantly manipulate emotions rather than trigger them.

Name : Peter Howell / Alias : Toronto Star
It runs a long 128 minutes. You have to wade through not just puddles of tears, but also piles of BS.