Name : Ty Burr / Alias : Boston Globe
Everyone here is in way over his or her head.

Name : Christy Lemire / Alias : ChristyLemire.com
This is what all the fuss was about?

Name : David Ehrlich / Alias : Time Out New York
The Interview confirms Rogen as the most ambitious mainstream comedian in Hollywood.

Name : Stephen Whitty / Alias : Newark Star-Ledger
That something so carefully slapdash and happily juvenile actually resulted in cyber-sabotage and threats of violence is, in itself, an enormous kind of joke. Too bad it's the biggest one here.

Name : Joe Morgenstern / Alias : Wall Street Journal
The remarkably dismal quality is emblematic of the mind-set that brought the movie, and its attendant crises, into being.

Name : Tirdad Derakhshani / Alias : Philadelphia Inquirer
The film is not a dangerous weapon, or a tool for anti-Korean propaganda. It does kill, but with comedy.

Name : Colin Covert / Alias : Minneapolis Star Tribune
There's a whip-smart, pointed comedy in "The Interview." Unfortunately it's buried in there. Really deep.

Name : David Edelstein / Alias : New York Magazine/Vulture
It's certainly smutty-and infantile. Maybe half the jokes miss. But it is a truly savage work.

Name : Ben Kenigsberg / Alias : AV Club
Much of the film is devoted to the hit-and-miss (but strangely moving) riffing between the leading men.

Name : Betsy Sharkey / Alias : Los Angeles Times
Characterizing it as satire elevates the creative execution of the film's very silly faux assassination of North Korea's leader Kim Jong Un far beyond what it merits.

Name : Peter Travers / Alias : Rolling Stone
It's stupid. It's in bad taste. It impossible. I know all that. But Rogen's instinct to try anything for giggles and sticking it to dictatorial assholes is worth fighting for. Screw Kim if he can't take a joke.

Name : Peter Howell / Alias : Toronto Star
Te best satire provokes and even outrages, and Rogen, Franco and Goldberg certainly succeed on that score.

Name : G. Allen Johnson / Alias : San Francisco Chronicle
Imagine "Harold and Kumar Go to North Korea," or "Bill and Ted's Excellent North Korean Adventure" or even "The Road to Pyongyang" starring Bob Hope and Bing Crosby. You get the idea.

Name : Scott Foundas / Alias : Variety
About as funny as a communist food shortage, and just as protracted.

Name : Sara Stewart / Alias : New York Post
Hate to say it, but this film ain't half the satire it could have been.

Name : Aisha Harris / Alias : Slate
If you like your dictator mockery served on a sharper, smarter dish, you should probably just do what everyone else seems to be doing, and rewatch Team America: World Police.

Name : Claudia Puig / Alias : USA Today
The Interview fails to live up to the hype, floundering as a rowdy comedy as it grows duller by the minute.

Name : Joe McGovern / Alias : Entertainment Weekly
A dangerous comedy about a dangerous regime shouldn't be safe for suburban dads.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
Bluntly funny and ever-so-slightly sweet.

Name : Jake Coyle / Alias : Associated Press
"The Interview" struggles to really illuminate anything about the stranger-than-fiction Orwellian nightmare that is North Korea, but its attempt is admirable. It deserves to be seen.

Name : A.O. Scott / Alias : New York Times
Its lesson is that American pop culture is inescapable, our great achievement and most popular export, the weapon we wield abroad and the glue trap we struggle with at home.

Name : Joe Neumaier / Alias : New York Daily News
In their third film together, Franco and Rogen have a terrific banter and an underlay of affection. This kind of rapport is rare.

Name : Todd McCarthy / Alias : Hollywood Reporter
The Interview has the comic batting average of a mediocre-to-average Saturday Night Live sketch .

Name : Alonso Duralde / Alias : TheWrap
While The Interview never slacks in its mission to tell jokes, it's such a messy and meandering movie that it never quite lands as a satire of politics or the media or anything else.

Name : Rafer Guzman / Alias : Newsday
Like their affable, ignorant characters, Rogen and Franco seem in way over their heads with "The Interview."

Name : Wesley Morris / Alias : Grantland
What's wrong with The Interview is that it doesn't know how to be the singeing comedy it wants.

Name : Richard Corliss / Alias : TIME Magazine
Maybe you will love The Interview - if you can ever see the movie - as much as some people hate or fear it. But if you're hoping for any cogent political satire here, then the joke's on you.

Name : Stephanie Zacharek / Alias : Village Voice
Offers a few moments of casual brilliance but otherwise trips itself up in the threads of its contrived absurdity.

Name : Alison Willmore / Alias : BuzzFeed News
Turner deserves this treatment; he deserves a film that doesn't soften the era or apologize in any way for his anger; and he deserves a salute for making it happen.

Name : Richard Brody / Alias : New Yorker
Problematically, Birth of a Nation wasn't just a seminal commercial spectacle but also a decisively original work of art - in effect, the founding work of cinematic realism, albeit a work that was developed to pass lies off as reality.

Name : Dave Kehr / Alias : Chicago Reader
Griffith's later films are unquestionably superior. But here, in a very real sense, is where the movies began, both as an art and as a business.

Name : Todd McCarthy / Alias : Hollywood Reporter
The film offers up more than enough in terms of intelligence, insight, historical research and religious nuance as to not at all be considered a missed opportunity .

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
More than a movie about a slave rebellion, it's about the difficulty of reconciling the great moral chasms between thought, vision, and deed.

Name : Variety Staff / Alias : Variety
Birth of a Nation is a great epoch in picture making; it's great for pictures and it's great for the name and fame of David Wark Griffith. When a man like Griffith in a new field can do what he has done, he may as well be hailed while he is living.

Name : Justin Chang / Alias : Variety
Debuting writer-director Nate Parker stars in this searingly impressive account of the Nat Turner slave rebellion.