Name : Lindsey Bahr / Alias : Associated Press
It's hard not to get swept up in the grand production of it all.

Name : Stephanie Merry / Alias : Washington Post
Some of the musical's superfans will feel shortchanged by the movie no matter what, but you have to give credit where it's due. The adaptation is pretty faithful to the original - for better and worse.

Name : David Edelstein / Alias : New York Magazine/Vulture
Corden is a wonderfully funny, self-effacing bloke - I'm thrilled at the prospect of seeing him nightly, hosting his own show after Colbert. Maybe he'll have Emily Blunt as a guest. It's her movie.

Name : Alonso Duralde / Alias : TheWrap
The stage musical delightfully reminded audiences that while happy endings are possible, you should always be careful about what you've wished for. Now comes the movie version, and it's a singing and dancing manifestation of both of those ideas.

Name : Bill Goodykoontz / Alias : Arizona Republic
The cast is top-notch, the story is satisfyingly dark, the performances are fun and, of course, the songs are terrific.

Name : Wesley Morris / Alias : Grantland
The movie is a watchable, tuneful contraption.

Name : Scott Foundas / Alias : Variety
If so much as one tween viewer adds Sondheim to his or her iPod playlist alongside the likes of "Let it Go," all will have been worthwhile.

Name : Moira MacDonald / Alias : Seattle Times
Does it work as a movie? Thanks to a few cast members, the answer is - yes, and for the most part quite nicely.

Name : Betsy Sharkey / Alias : Los Angeles Times
What makes "Into the Woods" so entertaining is the cleverness of the tale itself and the way specific characters match the talents of its storytellers.

Name : Richard Roeper / Alias : Richard Roeper.com
Rumbles on for too long and has some dry patches here and there-but just when we're growing fidgety, we get another rousing musical number or another dark plot twist, and we're back in business.

Name : Preston Jones / Alias : Fort Worth Star-Telegram/DFW.com
The sly send-up of fantasy tropes and healthy doses of humor help Into the Woods feel very much like the books and films it gently satirizes, even as it stands on its own as a solid entry into the musical-fantasy genre.

Name : Jesse Hassenger / Alias : AV Club
Even if this Into The Woods lacks the exhilaration of the best movie musicals, it does capture the show's emotional intimacy - no small task in a field that favors razzle dazzle.

Name : Cath Clarke / Alias : Time Out
If you go down to the woods today. you'll find A-listers dressed like 'Game of Thrones' extras belting out showtunes.

Name : Brad Wheeler / Alias : Globe and Mail
What is celebrated is the art of storytelling and the bedazzling attraction of a killer cast, uninhibited acting, giddy escapism, attractive visuals and an extroverted score.

Name : David Rooney / Alias : Hollywood Reporter
This twisty fairy-tale mash-up shows an appreciation for the virtues of old-fashioned storytelling, along with a welcome dash of subversive wit.

Name : Stephen Whitty / Alias : Newark Star-Ledger
Rob Marshall - who previously shepherded a glossy if slightly diluted version of "Chicago" to the screen - does a decent job transferring the material.

Name : Karen D'Souza / Alias : San Jose Mercury News
This movie always seems to distance itself from that existential truth that was at the core of Sondheim's original.

Name : Christine Dolen / Alias : Miami Herald
For anyone who can appreciate the darker side of fairy-tales told in a musical with depth and nuance, Into the Woods is a journey worth taking.

Name : Peter Travers / Alias : Rolling Stone
Yes, the sets and costumes elicit swoons, but it's the peerless Sondheim score, however truncated, that makes this Woods a prime destination.

Name : Chris Nashawaty / Alias : Entertainment Weekly
The first two-thirds of the film, which are like the Brothers Grimm's Greatest Hits on laughing gas, have a fizzy, fairy-dust energy.

Name : Steven Rea / Alias : Philadelphia Inquirer
A jolly mash-up of symbol-laden, signature once-upon-a-time tales about lust, envy, greed, and misguided pursuits of happiness.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
"Into the Woods" could have taken a well-worn path toward stagey sentiments, but those who worried that Hollywood might drain the enchantment from the Enchanted Forest can live happily after.

Name : Mick LaSalle / Alias : San Francisco Chronicle
With archness and irony, "Into the Woods" goes deeper into the fairy stories, allowing us to see familiar archetypes in new and not so flattering ways.

Name : Claudia Puig / Alias : USA Today
With its ominous gnarled trees and enchanted look, Into the Woods is a place worth exploring.

Name : Ty Burr / Alias : Boston Globe
Marshall's film captures enough of the emotions that course through this sneaky fairy tale about childish things like love, sex, grief, insecurity, abandonment, and forbearance.

Name : Rex Reed / Alias : New York Observer
I left disenchanted and irritated by so many missed opportunities.

Name : Michael Phillips / Alias : Chicago Tribune
For years, composer and lyricist Stephen Sondheim's 1987 fairy tale mashup, written with librettist James Lapine, has hacked its way through the thicket of Hollywood development. And the movie now before us? Here's a relief: It's good.

Name : Linda Barnard / Alias : Toronto Star
A mixed bag of clever twists on familiar storybook myths, engaging performances and forgettable songs.

Name : Alan Scherstuhl / Alias : Village Voice
Director Rob Marshall simply cuts from one tale to the next, isolating his actors. There's little sense that the fairytale space is a shared one - it's just a bunch of noisy incident transpiring in unrelated treestands.

Name : Nancy Churnin / Alias : Dallas Morning News
As with Chicago, Marshall makes bold choices, but they pay off. His cast may glitter with film stars, but they work as an ensemble and keep their stories emotionally true against a terrifically rich orchestral accompaniment.

Name : Colin Covert / Alias : Minneapolis Star Tribune
"Into the Woods" is a paean to the primal magic of storytelling.

Name : Peter Rainer / Alias : Christian Science Monitor
The Stephen Sondheim-James Lapine 1987 musical Into the Woods has been transferred to the screen by director Rob Marshall with most of its complexities and light-dark tonalities intact.

Name : Lou Lumenick / Alias : New York Post
"Into the Woods'' thankfully retains most of its wit and bite, and showcases two of the year's very best female performances, from Streep and Blunt.

Name : Stephen Holden / Alias : New York Times
"Into the Woods," the splendid Disney screen adaptation of the Stephen Sondheim-James Lapine musical, infuses new vitality into the tired marketing concept of entertainment for "children of all ages."

Name : Dana Stevens / Alias : Slate
Instead of being a rueful meditation on the inevitable disappointments of adulthood, the last act plays out as a generic dystopian bummer.

Name : James Berardinelli / Alias : ReelViews
Into the Woods left me out in the cold.

Name : Ben Sachs / Alias : Chicago Reader
With the exception of Meryl Streep (as the Witch) and James Corden (as the Baker), the cast is bland, and the bombastic orchestrations tend to steamroll the nuances of Sondheim's score.

Name : Elizabeth Weitzman / Alias : New York Daily News
The life lessons are delivered with insight and heart, the rightfully beloved music is well handled and the cast is so enthusiastic that we can excuse some rough patches.

Name : Rafer Guzman / Alias : Newsday
A capable cast and some very fine songs, but parents should take note of the dark themes. This Disney movie ain't kid stuff.

Name : Ben Sachs / Alias : Chicago Reader
As the protagonists near their final destination, The Homesman offers a critique of civilization that's almost as pessimistic as its critique of frontier life, suggesting that in every corner of America there have always been more losers than winners.

Name : Joe Morgenstern / Alias : Wall Street Journal
Everyone has a favorite Tommy Lee Jones performance. Until now I didn't have my least favorite, but "The Homesman" provides it, and is ruined by it.

Name : Jon Frosch / Alias : The Atlantic
Jones continues to craft evocative, painterly images, and he takes real risks with tone, shifting from tragic to comic without the usual cues or transitions.

Name : Ty Burr / Alias : Boston Globe
For a movie headlined by two Oscar-winning Hollywood stars - and directed and co-written by one of them - "The Homesman" is awfully close to outsider art.

Name : Todd McCarthy / Alias : Hollywood Reporter
An absorbing, melancholy look at the hard lot of women in the Old West.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
Swank, an Oscar winner for "Boys Don't Cry" and "Million Dollar Baby," is outstanding, getting to the essence of Mary Bee's pride and pain. And in the showier role, Jones impressively peels away layers of rambunctiousness to reveal George's humanity.

Name : Ella Taylor / Alias : NPR
The Homesman joins a stark, stripped-down beauty to a languid pace and a spare soundtrack to create an ambience that reeks of loneliness and alienation.

Name : Betsy Sharkey / Alias : Los Angeles Times
"The Homesman" may sound like a title conferred on a man, and George Briggs may be driving the wagon. But it is Mary Bee's persistence and prayers that carry the women, and the film, flawed as it sometimes is, home.

Name : Peter Debruge / Alias : Variety
Unlike other actor-directors, Jones never seems to indulge excess on the part of his cast. Though the characters are strong, the performances are understated.

Name : Steven Rea / Alias : Philadelphia Inquirer
At a certain point, The Homesman will take you by surprise. By the end . it will take your heart.

Name : Keith Uhlich / Alias : Time Out New York
It doesn't help that Swank never finds a way into this highly unappealing character, or that Jones (mostly phoning in the pitiable surliness) avoids delving very deeply into the story's proto-feminist undercurrents.

Name : Peter Travers / Alias : Rolling Stone
This fem-centric Western from actor-director/co-writer Tommy Lee Jones walks the tightrope between comic and tragic. Jones and Hilary Swank ignite combustibly.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Few will regret having seen "The Homesman," and yet it's not exactly an enjoyable experience.

Name : Stephanie Merry / Alias : Washington Post
Some recent interviews with Jones paint him as a bit of a curmudgeon. But he's right to push back against being put into a box. "The Homesman" succeeds mainly because it and he don't neatly fit into one.

Name : Claudia Puig / Alias : USA Today
The Homesman aims for a story that's poignant and told sparely, but comes across as mawkish, tedious and self-indulgent.

Name : Wesley Morris / Alias : Grantland
The development probably works in Glendon Swarthout's novel of the same name, where Swank is nowhere in sight. But not in the theater. You're tempted to give up on the movie because it feels as if the movie has given up on her.

Name : Geoff Pevere / Alias : Globe and Mail
It's as stubbornly and cantankerously eccentric as both its wagon drivers, not to mention driven to blaze its own trail through the narrative and mythological landscape of America's defining story form.

Name : Jordan Hoffman / Alias : Film.com
If this is a revision to the revisionist westerns ushered in by "Unforgiven," I'll stay back East(wood.)

Name : John Anderson / Alias : Newsday
Wanders along the lonesome trail, then heads off into the underbrush.

Name : Lou Lumenick / Alias : New York Post
Title and director notwithstanding, Tommy Lee Jones' "The Homesman'' is very much a feminist Western - one painting a vivid picture of how difficult it was for even a strong and determined woman to survive in frontier days.

Name : Jake Coyle / Alias : Associated Press
The melancholic balance isn't always quite right and the momentum wanes when it should be gaining.

Name : Bill Goodykoontz / Alias : Arizona Republic
A film that looks at first glance like a conventional Western but goes to unusual places.

Name : Colin Covert / Alias : Minneapolis Star Tribune
The film has more surprising turns than a honeycomb has bees. Absurdity and calamity collide without warning.

Name : Tom Long / Alias : Detroit News
If only things had started out on more solid ground and headed toward some sort of resolution. If only.

Name : Elizabeth Weitzman / Alias : New York Daily News
There's a thrilling undercurrent of rebellion in the way this straightforward, seemingly old-fashioned Western takes up the feminist cause.

Name : Andrew O'Hehir / Alias : Salon.com
A wrenching, relentless and anti-heroic western that stands among the year's most powerful American films. Not everyone will like "The Homesman," but if you see it you won't soon forget it.

Name : Pete Vonder Haar / Alias : Village Voice
Glendon Swarthout's 1988 novel offered a rare approach to . Old West stories by shifting the focus to the women and children who often bore its brunt the worst, and Jones has - for the most part - successfully captured this .

Name : Chris Nashawaty / Alias : Entertainment Weekly
While the film is bathed in a beautiful magic-hour glow courtesy of cinematographer Rodrigo Prieto, Jones' journey doesn't quite take off.

Name : Rex Reed / Alias : New York Observer
A grand, shocking saga of a movie, The Homesman is the kind they don't make much anymore.

Name : Anthony Lane / Alias : New Yorker
Certainly, there is a sturdiness to it, and a stubborn want of haste, that might have earned an approving growl from John Ford.

Name : Ignatiy Vishnevetsky / Alias : AV Club
Integrity and personality can go a long way, especially in a movie as unquestionably flawed as The Homesman.

Name : Michael Phillips / Alias : Chicago Tribune
Right or wrong, "The Homesman" belongs to Jones and Swank, and for Western aficionados it's worth seeing.

Name : Rene Rodriguez / Alias : Miami Herald
Parts of The Homesman are a slog to sit through, but the movie ends on a note of absurd comedy that also breaks your heart, suggesting that some people, no matter the circumstances, are incapable of change.

Name : Stephen Whitty / Alias : Newark Star-Ledger
A strange, and beautiful movie, full of odd touches - a knife fight in the middle of a desolate wasteland, a gravestone made from a bed's headboard, a piece of embroidery that stands in for a much-missed keyboard - that haunt after the film's done.

Name : Inkoo Kang / Alias : TheWrap
"Tommy Lee Jones' riveting Western is bleak and very nearly misanthropic, but it's also passionate, earthy, unpredictable, sensitive, and gloriously distinct."

Name : Moira MacDonald / Alias : Seattle Times
Swank and Streep are big stars with famous faces, and yet disappear into their roles; these characters convey both quiet strength and gentle kindness.

Name : A.O. Scott / Alias : New York Times
"The Homesman" is both a captivating western and a meticulous, devastating feminist critique of the genre.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
I was impressed with how Jones's uncomfortable mixing of tones in the first half of the film gave way to something more elegiac and evocative by the end.

Name : Peter Howell / Alias : Toronto Star
The Homesman is a western hard and true, one that probably comes closer to depicting the hardships of frontier life than any number of more conventional oaters.