Name : Chris Nashawaty / Alias : Entertainment Weekly
It's a very good film about a very bad man. But as well-crafted and well-acted as it is, it never rises to greatness because we've been watching this story in one way or another going back to the time of Jimmy Cagney and Edward G. Robinson.

Name : Dave Calhoun / Alias : Time Out
Johnny Depp is more engaging than he's been in years, even if his performance can feel a little restricted and one-note.

Name : Kenneth Turan / Alias : Los Angeles Times
A bleak, claustrophobic based-on-fact film that draws us completely into a dark world of crime and complicity.

Name : Peter Rainer / Alias : Christian Science Monitor
[Depp] holds the screen as pure malevolence.

Name : David Edelstein / Alias : New York Magazine/Vulture
It's as if the spirit of a psychopath like Bulger resists the camera. Or maybe the movie isn't imaginative enough to penetrate his shell.

Name : Stephen Whitty / Alias : Newark Star-Ledger
There are moments of icy violence, and some great lived-in faces among the characters. But this is no "Goodfellas." It's just another punk, talking tough.

Name : Rafer Guzman / Alias : Newsday
Depp's brutal antihero is the highlight of this compelling if somewhat familiar gangster movie.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
If there's a problem with Black Mass, it's that the general arc of the story is well known.its details reflect the plot points of many other gangster films. But it's the getting there that's the thrill.

Name : Colin Covert / Alias : Minneapolis Star Tribune
"Black Mass" is the sort of gangland film you would call run of the mill, if only it dashed faster.

Name : Wesley Morris / Alias : Grantland
The acting here is much stronger and more soulful than I would have expected, and not only from Depp.

Name : Bruce Kirkland / Alias : Toronto Sun
Propelled by a raw and primal performance by Johnny Depp, Scott Cooper's Black Mass will have you barricading your doors and hiding under the bed after seeing this corrosive gangster film.

Name : Michael Phillips / Alias : Chicago Tribune
In scene after scene, some fine actors go to town and dive into the material gratefully.

Name : Peter Hartlaub / Alias : San Francisco Chronicle
"Black Mass" is a solid piece of filmmaking, from subtle beginning to the excessive end.

Name : J. R. Jones / Alias : Chicago Reader
This is the sort of movie Sidney Lumet might have made in his prime - intelligently written, handsomely mounted, and loaded with top actors.

Name : Joe Morgenstern / Alias : Wall Street Journal
"Black Mass" isn't pretty, but it certainly is strong.

Name : Alonso Duralde / Alias : TheWrap
This is Depp bringing his skills to the table as a man with a propensity for being both terrifying and charming, often switching between the two on a dime.

Name : Christopher Orr / Alias : The Atlantic
The role is Depp's best in many years, and a welcome respite from the parade of prancing pseudo-villains-Mortdecai, the Wolf, Barnabas Collins, Jack Sparrow, Willy Wonka-to which he has devoted far too much of his career.

Name : Todd McCarthy / Alias : Hollywood Reporter
Depp shines in a solid gangster biopic.

Name : Moira MacDonald / Alias : Seattle Times
It's one of those movies that you don't exactly enjoy (so many guns, so many deaths), but you appreciate for its craft and tension, and for its cast's willingness to lose themselves in the darkness.

Name : Brian Truitt / Alias : USA Today
While there's nothing totally new here, Black Mass works the tropes extremely well and sets the scene early in the mean streets of 1970s South Boston.

Name : Lou Lumenick / Alias : New York Post
Welcome back to the real world, Mr. Depp.

Name : Richard Roeper / Alias : Chicago Sun-Times
This is a good, solid, well-executed crime story. Nothing more, nothing less.

Name : Peter Howell / Alias : Toronto Star
A crime drama that creeps and drips blood like a horror movie, and in many respects it is.

Name : Barry Hertz / Alias : Globe and Mail
Whenever Depp is on screen, nothing else matters.

Name : Joe Neumaier / Alias : New York Daily News
Black Mass isn't The Departed, and it's a bit too black and white. But movie mobster fans can relax, cause the movie doesn't need to have a hit taken out on it.

Name : Jesse Hassenger / Alias : AV Club
Black Mass more or less limits itself to procedural status. Within those aims, it's a pretty good one, absorbing and well-made.

Name : Steven Rea / Alias : Philadelphia Inquirer
Black Mass, a down and dirty crime drama based on the exploits of Boston gangster James "Whitey" Bulger, is thrilling for a number of reasons.

Name : Rene Rodriguez / Alias : Miami Herald
Black Mass struggles to find something new to say about organized crime and the loyalty between men. But the only thing the film manages to do is remind us we've seen all this stuff done before, and done better.

Name : Scott Foundas / Alias : Variety
Johnny Depp does career-best work as notorious Boston gangster James 'Whitey' Bulger in Scott Cooper's taut, elegantly understated crime drama.

Name : Stephanie Zacharek / Alias : Village Voice
Black Mass is a tightly wound piece of work, and Cooper keeps its many small parts moving with ease.

Name : Ty Burr / Alias : Boston Globe
The movie's good enough that you should see it if you want to. But you don't have to, and, in these parts, that matters.

Name : James Berardinelli / Alias : ReelViews
For Black Mass, Johnny Depp has dusted off his A-game, which has lain dormant for far too long.

Name : Jocelyn Noveck / Alias : Associated Press
It's absolutely chilling to watch Depp. With bad teeth and a head of dramatically receding hair, the actor somewhat resembles Jack Nicholson in The Departed but deftly avoids caricature as he grows more sinister with every murder.

Name : Dana Stevens / Alias : Slate
Depp's performance as Bulger is as strong, and as energized, as anything he's done on screen for years.

Name : A.O. Scott / Alias : New York Times
I'm as susceptible as any other deskbound, conflict-averse fantasist to the visceral appeal of a good gangster movie. But "Black Mass" isn't one.

Name : Ann Hornaday / Alias : Washington Post
What "Black Mass" gains in moral honesty, it loses in dramatic momentum. Even filmmakers and actors as fine as these haven't managed to solve one of cinema's most enduring challenges - making criminals interesting without exalting them.

Name : Anthony Lane / Alias : New Yorker
How much longer must we subscribe, as moviegoers, to the sentimental brotherhood of violence?

Name : Peter Travers / Alias : Rolling Stone
You forgive the zigs, zags, evasions and subplots for the hardcore power of Depp's performance and the film's portrait of moral rot on both sides of the law.

Name : Bill Goodykoontz / Alias : Arizona Republic
The acting in "Black Mass" is tremendous.

Name : Tom Long / Alias : Detroit News
With all the talent on board here, expectations go beyond creepiness; unfortunately creepiness is about as far as the movie ultimately goes.

Name : Tony Hicks / Alias : San Jose Mercury News
"Black Mass" is a riveting character study and might land Depp an Oscar nomination, even if the film itself is not very ambitious.

Name : Peter Howell / Alias : Toronto Star
A narrative as freewheeling as this one might ordinarily daze and confuse. But Malcolm makes for such a forceful character, it's easy to go along with whatever direction he's headed in.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
Be sure to stay for the end credits. No other summer-movie credit crawl is going to get audiences dusting off their old Running Man and Cabbage Patch dance moves like this one. Take that, Jurassic World.

Name : Joshua Rothkopf / Alias : Time Out
Writer-director Rick Famuyiwa . doubles down on an applying-to-Harvard satire that both upends demographic expectations while insisting (at times a bit strenuously) that we all aim a little higher.

Name : Kevin C. Johnson / Alias : St. Louis Post-Dispatch
"Dope" is funny, slick and sharp.

Name : Colin Covert / Alias : Minneapolis Star Tribune
It's downright dainty as far as plot, but a mostly tasty layer cake of drugs, jokes, sex, jokes, cool young cast members, jokes, 1992 hip-hop, cartoony characters, a heist and a lot more jokes.

Name : Dana Stevens / Alias : Slate
Dope's biggest strength lies in its affectionate and honest portrait of a different kind of young urban blackness than we're used to seeing on movie screens.

Name : Rafer Guzman / Alias : Newsday
A freewheeling comedy about sex, drugs and identity politics.

Name : Michael Phillips / Alias : Chicago Tribune
The tone of "Dope" is very interesting - funny, but rarely stupid-funny. The film does not wear its serious observations, about aspirations and realities and hypocrisies of all kinds (not just racial), in a heavy fashion.

Name : Ann Hornaday / Alias : Washington Post
"Dope" is the bomb.

Name : Alonso Duralde / Alias : TheWrap
This vibrant film is a bit of a mess, but it's a beautiful one.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
It's a remorselessly entertaining, Frankenstein's monster of pop-culture borrowings and appropriations. So much so that it becomes very much its own thing.

Name : Patrick Dunn / Alias : Detroit News
When so many black movie characters are simple stereotypes, it's a pleasure to see a film with real wit about the benefits and pitfalls of playing to and against those expectations.

Name : Mark Feeney / Alias : Boston Globe
"Dope" is too smart and lively to be dismissed. It's even original in its mixing of ingredients, however unoriginal those ingredients may be. But it's also unfeeling and, beneath its in-the-hood surface, as much a bit of artifice as a Wes Anderson movie.

Name : A.O. Scott / Alias : New York Times
Mr. Famuyiwa . shoves disparate genre elements together as if pulling jigsaw puzzle pieces from a half-dozen different boxes, and if the finished work isn't quite convincing, it's still fun to look at.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Shameik Moore is a forceful, sympathetic locus, with an appealing gentleness of spirit that in no way seems entirely innocent. There's a drive there. As for Zoe Kravitz, she is having one terrific year.

Name : Joe Morgenstern / Alias : Wall Street Journal
If "Dope" were as earnest as Malcolm seems to be, you might expect it to be a bit of a bore. No worries on that count, though.

Name : Randy Myers / Alias : San Jose Mercury News
While Famuyiwa deserves the lion's share of acclaim for making "Dope" such an inventive, hyperactive and electrifying comedy, it is Moore who gives "Dope" its big heart.

Name : Robert Abele / Alias : Los Angeles Times
"Dope" is, in the end, just another unfunny grab bag of stereotypes. Don't believe the hype.

Name : James Berardinelli / Alias : ReelViews
The film's ability to confound expectations while delivering some big laughs may be its most crowd-pleasing characteristic but the anti-stereotype message rings clear as a bell throughout.

Name : Jordan Hoffman / Alias : New York Daily News
The tone is fast and funny, with a modern "Risky Business" or "Ferris Bueller's Day Off" vibe, but there's an additional layer that stems from the violence of the neighborhood.

Name : Andrew O'Hehir / Alias : Salon.com
"Dope" may be the perfect movie for the summer of 2015.

Name : Peter Travers / Alias : Rolling Stone
Shameik Moore gives a smashing breakout performance in a comedy of social expectation that plays like an exhilarating gift.

Name : Bill Goodykoontz / Alias : Arizona Republic
The acting is uniformly good. This is Moore's first big role, and he delivers a performance both entertaining and believable.

Name : Rene Rodriguez / Alias : Miami Herald
Here is the rare movie overstuffed with memorable moments that would have been better if there had been fewer of them.

Name : Ignatiy Vishnevetsky / Alias : AV Club
In an era full of indifferent, cookie-cutter indies, an excess of ideas and personality is hardly a bad thing.

Name : Alan Scherstuhl / Alias : Village Voice
Again and again, Dope puts us in Malcolm's Air Jordans, letting us sweat or fear or hope right with him.

Name : Julian Carrington / Alias : Globe and Mail
Even as Famuyiwa acknowledges the preconceptions that Malcolm's blackness engenders, he invites audiences to identify with the character on the basis of his relatable interests, aspirations and vulnerabilities.

Name : Soren Anderson / Alias : Seattle Times
Moore, who's done some TV work and is also a singer and dancer, emerges as a genuine movie star in "Dope." He's very good looking and has charisma to burn, and he controls the screen in every scene he's in. Which is practically every scene.

Name : Kyle Smith / Alias : New York Post
As a comedy, the film isn't especially funny, and as a screwball drug caper a la "Go," it's raggedly plotted, with ridiculous coincidences popping up everywhere.

Name : Lindsey Bahr / Alias : Associated Press
A fantastical, slight, and occasionally fun, hip hop-scored romp.

Name : Boyd van Hoeij / Alias : Hollywood Reporter
A funny and often intelligent crowd-pleaser about three geeks who get smart about drug-dealing.

Name : Brian Truitt / Alias : USA Today
Dope digs into racial culture in a real way with Malcolm struggling with the fact that he doesn't fit being a geek or a menace to society, and it's a hoot to root him on as he finds his place somewhere in between.

Name : Dennis Harvey / Alias : Variety
The cast, drawn from comedy, rap, TV, modeling and other spheres, is sharply on form throughout, as is Famuyiwa's direction; the pic's esprit is amplified by every editorial trick in the book, from split-screen to freeze-frames.