Name : Tom Huddleston / Alias : Time Out
Feels like a sixth-form production of the Bourne series.

Name : Leslie Felperin / Alias : Hollywood Reporter
It ends up playing like a shoddy blend of V for Vendetta and Mr. Robot but without the budget bandwidth or style of either.

Name : Guy Lodge / Alias : Variety
It's Watkins' lean, keen instinct for choreographing and cutting action set pieces that keeps "Bastille Day" afloat.

Name : Michael Nordine / Alias : L.A. Weekly
None of this goes down with any real verve, though Kamiyama's wrinkled face is a small marvel of expressivity.

Name : Jeannette Catsoulis / Alias : New York Times
Directing with an old-fashioned tenderness toward his unassuming star, Ken Ochiai conjures a swan song to a waning art form and those who practice it.

Name : Martin Tsai / Alias : Los Angeles Times
A cri de coeur on the samurai flicks of a bygone era, "Uzumasa Limelight" unfolds understatedly and movingly like something from Clint Eastwood at the top of his game.

Name : A.A. Dowd / Alias : AV Club
Green demonstrates no control over his star, who dodders through the movie in a sleepy daze.

Name : Alonso Duralde / Alias : TheWrap
The low-key, dialed-down acting that Green has elicited from the frequently hammy Pacino - on the heels of Nicolas Cage's sensitive turn in Green's Joe - establishes the filmmaker as the go-to sponsor for members of Overactors Anonymous.